Nedun Dreadie
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- Myrtle
- Posts: 74
- Joined: Wed Mar 25, 2009 5:20 pm
- Location: Cheltenham Melbourne Australia
- Contact:
Nedun Dreadie
My 3rd acoustic
Nandu (Pericopsis Mooniana) Back and sides
Engelmann Top
Sth American Mahogany neck, neck block,end block and kerfings
Gidgee Fretboard and bridge
Macassar Ebony and US Maple bindings
Burl Myrtle Rosette (colour doesn't really work for me, maybe gidgee next time) with blk/wh/blk thingy from stewmac
Herringbone from stewmac
Grover Sta-Tite's
Headstock Veneer 4 layers top is Macassar Ebony/Maple/Wenge/Maple
Bone Nut and Saddle
K&K pure mini
Sounds ok, similar to my 30y old Koa Takemine, seems louder? Huge difference against my daughters Maton
it's easy to play, bought the bible (Gore) in time to make the neck a little wider but not in time to do a compensated nut, next time
Cheers
Hank
Last edited by kiwigeo on Sun Jun 28, 2015 7:28 pm, edited 1 time in total.
Reason: Removed duplicate photos - Martin (Mod)
Reason: Removed duplicate photos - Martin (Mod)
Without deviation progress is not possible.
Re: Nedun Dreadie
I am not usually a fan of Dreads but that looks great. Love the side purf. How does the engleman work on the Dread? I love it on some smaller body guitars I have played.
Jeremy D
Re: Nedun Dreadie
Nice workbench!
Oh also Lovely Guitar
the Nandu looks very shimmery, i haven't heard of it before, how is it?
What finish did you use?
Oh also Lovely Guitar

the Nandu looks very shimmery, i haven't heard of it before, how is it?
What finish did you use?
Cheers
Matt
Matt
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- Myrtle
- Posts: 74
- Joined: Wed Mar 25, 2009 5:20 pm
- Location: Cheltenham Melbourne Australia
- Contact:
Re: Nedun Dreadie
Thanks Guys
Jeremy i'm a 60's child and love my dread's, this is my third acoustic build and the second with engelmann, top was a bit spongie but firmed up with the strings on, may have gone a bit thin 1.9 on the edges i guess time will tell
Matt, yeah the new work bench!! we're all too scared to use it, The whole thing is solid rock maple, takes four guys to move it!
The Nandu came from a mate, His parents had their furniture crated up in it when they emigrated from Sri Lanka 60 years ago,
Not really a tried and tested tone wood, not a lot about it online, the figure however is something else
Mirotone 3220
Thanks Paul, yeah i'm stoked
Cheers
Hank
Jeremy i'm a 60's child and love my dread's, this is my third acoustic build and the second with engelmann, top was a bit spongie but firmed up with the strings on, may have gone a bit thin 1.9 on the edges i guess time will tell
Matt, yeah the new work bench!! we're all too scared to use it, The whole thing is solid rock maple, takes four guys to move it!
The Nandu came from a mate, His parents had their furniture crated up in it when they emigrated from Sri Lanka 60 years ago,
Not really a tried and tested tone wood, not a lot about it online, the figure however is something else
Mirotone 3220
Thanks Paul, yeah i'm stoked
Cheers
Hank
Without deviation progress is not possible.
- Cloverfield
- Kauri
- Posts: 34
- Joined: Tue Jun 23, 2015 10:08 am
- Location: Southbank, Vic
Re: Nedun Dreadie
That's an impressive 3rd build! Very inspiring. Love the binding on it.
That workbench is also very nice, I'm jealous of your space to work in
That workbench is also very nice, I'm jealous of your space to work in

Hank wrote:Thanks Guys
Jeremy i'm a 60's child and love my dread's, this is my third acoustic build and the second with engelmann, top was a bit spongie but firmed up with the strings on, may have gone a bit thin 1.9 on the edges i guess time will tell
Matt, yeah the new work bench!! we're all too scared to use it, The whole thing is solid rock maple, takes four guys to move it!
The Nandu came from a mate, His parents had their furniture crated up in it when they emigrated from Sri Lanka 60 years ago,
Not really a tried and tested tone wood, not a lot about it online, the figure however is something else
Mirotone 3220
Thanks Paul, yeah i'm stoked
Cheers
Hank
~~~Simon
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- Myrtle
- Posts: 74
- Joined: Wed Mar 25, 2009 5:20 pm
- Location: Cheltenham Melbourne Australia
- Contact:
Re: Nedun Dreadie
Thanks Simon
Yeah everybody comments about the bench
Fortunately one of the blokes here is a German Master Cabinet Maker( his bench)
And again fortunately he has some awesome tools that he lets me use!
The Gidgee bridge on that dread was started using my cheap Japanese chisels and finished using his chisels
The difference was amazing, the tip here is spend money on good steel and quality water stones and the veritas honing jig is pretty cool
and nice saws and rasps and.............................
cheers
Hank
Yeah everybody comments about the bench
Fortunately one of the blokes here is a German Master Cabinet Maker( his bench)
And again fortunately he has some awesome tools that he lets me use!
The Gidgee bridge on that dread was started using my cheap Japanese chisels and finished using his chisels
The difference was amazing, the tip here is spend money on good steel and quality water stones and the veritas honing jig is pretty cool
and nice saws and rasps and.............................
cheers
Hank
Without deviation progress is not possible.
- Cloverfield
- Kauri
- Posts: 34
- Joined: Tue Jun 23, 2015 10:08 am
- Location: Southbank, Vic
-
- Myrtle
- Posts: 74
- Joined: Wed Mar 25, 2009 5:20 pm
- Location: Cheltenham Melbourne Australia
- Contact:
Re: Nedun Dreadie
hi Simon
I started with the Cumpiano/Natelson book 'guitarmaking: tradition and technology' and made the OM (which was pretty dodgy)
then made a señorita size classical for the dorter, that worked out really well, patience is cream
Then started on solid/chambered body electrics, too date i'm up to #9
The Dread was inspired by watching Demonx making his dread
Anyway, half way through the dread build I bought the Gore/Gilet Books, the forum is full of guys/gals who swear by them,
now i've got them i understand why, Vol 2 is a great book for acoustic builds, Vol 1 does my head in
Get the books you won't regret it
Those Ashely Iles chisels look the goods
Cheers
Hank
I started with the Cumpiano/Natelson book 'guitarmaking: tradition and technology' and made the OM (which was pretty dodgy)
then made a señorita size classical for the dorter, that worked out really well, patience is cream
Then started on solid/chambered body electrics, too date i'm up to #9
The Dread was inspired by watching Demonx making his dread
Anyway, half way through the dread build I bought the Gore/Gilet Books, the forum is full of guys/gals who swear by them,
now i've got them i understand why, Vol 2 is a great book for acoustic builds, Vol 1 does my head in
Get the books you won't regret it
Those Ashely Iles chisels look the goods
Cheers
Hank
Without deviation progress is not possible.
Re: Nedun Dreadie
Got to be happy with that Hank
I like your bridge is it your own design ?
cheers Tod G

cheers Tod G
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- Myrtle
- Posts: 74
- Joined: Wed Mar 25, 2009 5:20 pm
- Location: Cheltenham Melbourne Australia
- Contact:
Re: Nedun Dreadie
thanks Tod
yeah i think so, it all came about because i stuffed up
, loved the detail
yeah i think so, it all came about because i stuffed up

Without deviation progress is not possible.
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