

To get down to 1.5mm and still sound good the wood needs to be as stiff as anything....demonx wrote:
It's not uncommon for Classical guitars to go a down to 1.5mm and I don't think 2.2mm - 2.3mm is a drama although I'd prefer 2.5mm for a steel string.
I won't be venturing into that territory though, it's 2+ which from what a gather is acceptable.kiwigeo wrote:demonx wrote:
To get down to 1.5mm and still sound good the wood needs to be as stiff as anything....
I built a WRC guitar about the size of a dread and it came in over 3mm (using trev's calcs). 2mm seems thin to me.demonx wrote:I won't be venturing into that territory though, it's 2+ which from what a gather is acceptable.kiwigeo wrote:demonx wrote:
To get down to 1.5mm and still sound good the wood needs to be as stiff as anything....
Acceptable for some individual tops in some species, alongside bracing designed for it - but not in this case. That is too thin for the top in question - I've had numerous of them in my hand and know what you are dealing with. Being that you've had to work it down that thin Allan, you will have to compensate in your bracing and essentially beef it up. All a learning curve and given you are relatively new to acoustic construction, it's good experience.demonx wrote:I won't be venturing into that territory though, it's 2+ which from what a gather is acceptable.
Ha! Yes, but I was only joking and have no intention of parting with mine...kiwigeo wrote:Are the old set signed by Trevor and Gerard?
J.F. Custom wrote:Acceptable for some individual tops in some species, alongside bracing designed for it - but not in this case. That is too thin for the top in question - I've had numerous of them in my hand and know what you are dealing with. Being that you've had to work it down that thin Allan, you will have to compensate in your bracing and essentially beef it up. All a learning curve and given you are relatively new to acoustic construction, it's good experience.demonx wrote:I won't be venturing into that territory though, it's 2+ which from what a gather is acceptable.
Jeremy.
Yes. I used an applicator to scrape the flat areas, I did not do the top the neck was rubbed in by hand - nitrile gloves were worn.kiwigeo wrote:Z-poxy used for the grain fill?
When I was cutting the rosette channel, the CNC decided to loose it's Z zero (height reference) and cut the purf channel right through the entire top, so it became a repair rather than a rosette. I initially planned on the two black circles bordering the abalone being black white black purf to match the outside strip, but as the centre had popped out of the rosette, I had nothing to zero back onto to fix the problem. So I had to make do with what I had and the bugger turned during glue up and I didn't notice until it was too late.kiwigeo wrote:All looking good...apart from that rosette.
Maybe it's just me being overly anal but the grain of the top doesn't quite match the grain of the same wood within the rosette. You obviously haven't simply cut channels into the top and inlaid the purfs and abalone/paua. It wouldn't bother a player or alot of builders but I'm the sort of builder who obsesses at night about such things
I realize those braces are going to get some chisel work but I'm a bit concerned about the thickness of same. Looking at the top wood you're using I think you should be aiming at going as light as possible on the bracing.
Just my thoughts and others may have different ideas.
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