Well I've finally finished one of the Elsie's (pet name for the LC design I came up with for these) & will be delivering it to it's new owner at the end of the month. The owner of this one is a longtime friend of mine who is also a professional drummer for the NZ Navy band & also hits the skins in an up & coming NZ rock band (Black River Drive if any kiwi's here listen to "the Rock" or Hauraki radio stations). He's getting into writing songs & expressed how awkward it was writing songs on a drum kit!

So he asked me to build him a guitar & not knowing too much about the nuts & bolts of these stringed things, gave me carte blanche to do whatever I wanted. I decided to build two at the same time & sell the other if I could, a guy saw/heard this one & has bought the second one sight unseen!
These two have taken me the longest time I think I've ever spent on building a guitar...12months! I have spent a bit of extra time 'getting it right' but also they are the first flatops I've made so I've had to build various new jigs & new body molds (plus a bit of downtime after various earthquakes!). The body shape is losely based around a OOO's dimensions, I tweaked the waist a little & cutaway area.
Ok so here are the specs:
Soundboard- 2A Adirondack from Bob at RC Tonewoods
Back & Sides- Californian Laurel (Umbellularia Californica) also from Bob at RC Tonewoods, also this has the double back system using a Curly Maple inner back.
Neck- Birdseye Maple/ Walnut laminate with Ebony Fingerboard, 24 EVO gold frets & 12" radius.
Neck Width at nut- 50mm, I decided to go wider (classical width) with the neck to make it easier to fret notes without muting others & it's also easier to 'finger pick' as the customer is just learning to play guitar.
Nut & Saddle- Bone, saddle is 5mm wide to allow the 'ramp off' area to be radiused for added string contact.
Tuners- Gotoh 510's
Scale Length- 25 1/2"
Pickup- LR Baggs Stage Pro Element system with onboard preamp.
I must add that once I got used to the wider neck/string spacing I think I prefer it, especially as I have fingers like pigs tits!

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- Rear of headstock, Imbuia Burl veneer.
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- I inlayed a small fern at the twelfth fret to keep the 'fern' theme going. I don't usually bother with fret dots e.t.c but seeing as the customer is still new-ish to playing I thought I'd better add one.
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And finally for a laugh I just thought I'd throw in my "arty" shot

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After building these I've made a few observations for future builds. I think I can probably lighten the bracing a bit more, this guitar still produces a good clear sound but I just got a "feeling" the top could be loosened a little more. Also with the Birdseye Maple neck it certainly is a little 'neck heavy' but does add to the aesthetics so it's a trade off.