



Not perfect but not bad either. It has a husky little voice at the moment but sounds better than I thought it would. Its b****y hard to play because there are 6 strings and not much room, even though the nut is the same width as a Tele.
Specs are;
Back and Sides, fretboard, bridge - Kwila
Top - Sitka Spruce
Neck - New Guinea Rosewood
Binding - Rock Maple
Bracing Western Red Cedar
(not counting the 15 super feet of other wood thrown away getting to the final result)
Here are the pics!!!
Full frontal outside in the strong sunlight
And again, with view of sound port
View through the sound port - its nice to be able to be able to play the guitar and see whats going inside at the same time - perhaps thats why sound ports were invented? All that hard work and you can't see it -unless you put in a soundport!
The top!
This is for Toejam - next to Big Daddy.
BTW, the dreadnought is the one guitar I will never part with - I have had it since I was 18 - and thats a long, long time ago now. It's no lutherial masterpiece but I would not swap it for anything. It still has the scent of mahogany when you open the case after all this time. I serenaded my wife to be with it and sang my kids to sleep with it (irish folk songs always seemed to work best!! 4 bars and they were out for the count - or maybe they just wanted me to stop???). When I put new stings on it, I feel like Jimmy Page, Carlos Santana and John Williams, all rolled into one - until I start actually playing it of course.
But I digress!!!
View of the headstock and fretboard. Everything almost lines up!
The back is a very pretty colour, I think
I am also happy with the finish - the blotches you see are actually reflections of flowers. Its shiny.
Finally the back of the headstock - my first laminated headstock - again, needs must, I stuffed up the tuner holes and got one out of line , so had to fill them in, cover them up and start again. I wonder if that's why laminated headstocks were invented? You never know , do you?
Anyway, thanks for looking
Cheers