I was reading the thread in the OLF about building for a pickup, and some of the info was really good, but there is a least one notable member there that is so opinionated and might I say full of himself that it just turned me off of posting in that thread or reading much more for that matter. Thanks for your input Bob. I guess when the time comes it's just all going to come down to a compromise one way or the other.
I've got a few people that have played my OOO and cutaway OM, and they play in country bands at pubs and clubs etc. They've asked if I would consider building a amplified guitar, but I'd be just taking a shot in the dark hoping it might turn out.
Do most people that play acoustics with pickups know that you have either a light, responsive sweet sounding instrument, or one that will cut through to the back corners of the club, but sound less than stellar?
Bracing Ottomans :)
- Bob Connor
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I don't know whether some guitarists realise this Allen.
Certainly those at the top end of the scale will, but I think a lot of players, particularly vocalists who play guitar as opposed to a guitarist who sings, probably don't.
And I would imagine a lot of players have never played a responsive, lightly built instrument. So the only thing they know is a factory built instrument that they have bought from the local music shop.
And in a lot of cases this sort of instrument is perfect because it'll do the job for them. They're not too expensive, robust and sound good on stage.
If I was building for someone who wanted the best of both worlds I think that beefing everything up a bit would be the way to go. Slightly thicker top than you would normally do. Braces a bit beefier. Back slightly thicker.
If you are playing in a pub on a consistent basis the instrument will get knocks and dings.
And something a bit heavier would be useful if a blue breaks out.
Maybe we should be building National Steels.
Bob
Certainly those at the top end of the scale will, but I think a lot of players, particularly vocalists who play guitar as opposed to a guitarist who sings, probably don't.
And I would imagine a lot of players have never played a responsive, lightly built instrument. So the only thing they know is a factory built instrument that they have bought from the local music shop.
And in a lot of cases this sort of instrument is perfect because it'll do the job for them. They're not too expensive, robust and sound good on stage.
If I was building for someone who wanted the best of both worlds I think that beefing everything up a bit would be the way to go. Slightly thicker top than you would normally do. Braces a bit beefier. Back slightly thicker.
If you are playing in a pub on a consistent basis the instrument will get knocks and dings.
And something a bit heavier would be useful if a blue breaks out.
Maybe we should be building National Steels.

Bob
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