Hi Craig
I agree with Allens comments. For me inlaying into lighter coloured timber is a slower procedure to get as close a perfect fit as possible,not always achievable. Even on ebony I try for perfect fits. What I do is route out up to the outline [ but the pearl does not fully fit] then I put a suitable round dental burr in my Dremal and using the shaft as a guide against the edge's of the outline I undercut around the design. I can then make very small controlled cuts to the thin area of wood up to the scribed line with a sharp knife or a specialy modified 1/16 inch chisel. When the inlay is pressed into the recess the epoxy fills any unercut thats left. I'm talking small amounts here.
Heres a picture of my next inlay, it's abalone and just layed out to get a good balance, two legs to go and the engraving.
The other picture is of the inlay work on a Gibson Mastertone Banjo, not a cheep little sucker, ya gotta do better than that. Well looks like you have already.
