A case in point is Tiger Myrtle which has already had a string of posts in this forum. The bottom line is feadback from builders. It is the only yardstick to work with if you are trying to determine the working and acoustic merits of the tonewood. In addition as you would all know each guitar has to be evaluated as a complete unit: top, bracing pattern and size, sound hole, neck etc.
Whilst I have built with both Tiger Myrtle and Native OLive (Dorral) and found them as credible tonewood alternatives, an independent voice is preferable. Jim OLson (Olson guitars), Don Sharp (Sharpguitars), Steve Kinnaird, Hesh and Steve Patience have all worked with Tiger Myrtle over the last 18 months. They would all be a good source of information for anyone who is trying to define how to proceed with Tiger Myrtle.
Native Olive is shaping up to be a winner despite issues with supply. I currently have a good supply in board form which would produce a significant number of sets if I can work around heart shake and borer holes.
regards
Tim
Native Olive

Native Olive

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