My first go at teaching - uke class 2009
No, you can build them with any number of neck attachment methods. I decided on using this method after talking with Rick Turner about doing my class, and asking him about various aspects of construction in a class setting. I thought, "go to the expert on the subject", as he's probably worked out a great deal of the pitfalls that I just hoped to steer clear of.
Besides the advantages Rick had mentioned in our conversation about my class, I see in hind sight that it's a brilliant footing for these people, if they should want to progress to a larger instrument such as a classical guitar.
I've been doing my best to impart what I've learnt about putting an instrument together, and showing everyone the nitty gritty of building. I'm sure that a lot of it goes right over their heads, but if they catch the bug, hopefully they will recall just a tiny bit of what I attempted to convey to them during the course.
Some have gone to the plan religiously and built according to those dimensions, and I've let them go without any interference. Others have asked for my opinion, and I've gave it to them. It's most interesting when it comes to voicing the top. Those following the over braced top struggle to get a nice resonate tap tone, while those that asked for some help with sizing found it much easier to get to that point.
Now the question I'm most interested in is, "Who learned the most"? Those that just followed what I recommended, and found it easy to get to a satisfactory tap tone, or those that followed the plan and struggled to get to that point? I know for myself, I learn far more when I make a "mistake" and change my method in order to achieve a better result. Seems to sink in a lot more with me.
Besides the advantages Rick had mentioned in our conversation about my class, I see in hind sight that it's a brilliant footing for these people, if they should want to progress to a larger instrument such as a classical guitar.
I've been doing my best to impart what I've learnt about putting an instrument together, and showing everyone the nitty gritty of building. I'm sure that a lot of it goes right over their heads, but if they catch the bug, hopefully they will recall just a tiny bit of what I attempted to convey to them during the course.
Some have gone to the plan religiously and built according to those dimensions, and I've let them go without any interference. Others have asked for my opinion, and I've gave it to them. It's most interesting when it comes to voicing the top. Those following the over braced top struggle to get a nice resonate tap tone, while those that asked for some help with sizing found it much easier to get to that point.
Now the question I'm most interested in is, "Who learned the most"? Those that just followed what I recommended, and found it easy to get to a satisfactory tap tone, or those that followed the plan and struggled to get to that point? I know for myself, I learn far more when I make a "mistake" and change my method in order to achieve a better result. Seems to sink in a lot more with me.
Got a lot more accomplished at the class today, with some participants playing catch up as they had missed a few sessions.
Gluing in the kerfed linings with HHG.
Bracing the soundboard.
Getting some sides bent into shape.
Cutting frets and pressing them in with my arbor press.
Filing the fret ends and putting a bevel on them.
Gluing in the kerfed linings with HHG.
Bracing the soundboard.
Getting some sides bent into shape.
Cutting frets and pressing them in with my arbor press.
Filing the fret ends and putting a bevel on them.
Been some steady progress on the class Ukuleles. Two sessions a week makes for slow going, but Liam's has got the second coat of lacquer on and just resting now.
Bill trying his hand at bending some bindings.
I'm giving a demo on using hide glue to install the bindings. First sizing the joint with some thinned glue, then coming back and having at it. No time to waste posing for the camera.
A little brown tape holds things in place, then wrapping the body with twill tape to synch everything good and tight.
Richard scraped back is bindings that we did last Saturday, then sanding back the body getting it ready to glue on the fret board. Don't need an electric sander when Richard can sand that fast.
Bill trying his hand at bending some bindings.
I'm giving a demo on using hide glue to install the bindings. First sizing the joint with some thinned glue, then coming back and having at it. No time to waste posing for the camera.
A little brown tape holds things in place, then wrapping the body with twill tape to synch everything good and tight.
Richard scraped back is bindings that we did last Saturday, then sanding back the body getting it ready to glue on the fret board. Don't need an electric sander when Richard can sand that fast.
Looks like a lot of fun Allen. Are you going to put on a Uke concert when they are all done?
Some neat things I have spied. Cool spray gun holder. And what's in the Lee Valley box there?
Those arbor presses are nice aren't they. I got a used 1 tonner for less than 50 bucks. Drilled a hole in the arbor to take my fret press and painted it red to match my vice. Heaps cheaper than the SM one and twice as powerful.
Cheers
Dom
Some neat things I have spied. Cool spray gun holder. And what's in the Lee Valley box there?
Those arbor presses are nice aren't they. I got a used 1 tonner for less than 50 bucks. Drilled a hole in the arbor to take my fret press and painted it red to match my vice. Heaps cheaper than the SM one and twice as powerful.
Cheers
Dom
You can bomb the world to pieces,
but you can't bomb the world to peace!
but you can't bomb the world to peace!
Perhaps a Xmas Carol or two at the break up party in December. Probably won't win any Grammy's, but we should get a laugh or two.
The Lee Valley box contains a set of chisels I've had for about 30 years now. It's probably a good thing that I live on the other side of the world, as it can be fatal walking into one of their stores. When the wife see's how much you spent, it's never going to turn out well.
I got my arbor press at one of local tool mob. Was about $80 brand new. Had to drill it out like you said, but it sure beats hammering them in by hand. And the freight charges would have been astronomical.
The Lee Valley box contains a set of chisels I've had for about 30 years now. It's probably a good thing that I live on the other side of the world, as it can be fatal walking into one of their stores. When the wife see's how much you spent, it's never going to turn out well.
I got my arbor press at one of local tool mob. Was about $80 brand new. Had to drill it out like you said, but it sure beats hammering them in by hand. And the freight charges would have been astronomical.
- Nick
- Blackwood
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How about a bit of Bonnie Tyler there Allen?Allen wrote:Perhaps a Xmas Carol or two at the break up party in December. Probably won't win any Grammy's, but we should get a laugh or two.
youtu.be/
Brett Mackenzie (one half of the flight of the concords) is a member of this bunch when he's in the country.Actually the you tube clip of "Hey Ya" has him sitting in.
You're doing a grand job by the looks Allen, must be quite rewarding to see your "students" building these things and looks like they are doing an admirable job.
"Jesus Loves You."
Nice to hear in church but not in a Mexican prison.
Nice to hear in church but not in a Mexican prison.
- Nick
- Blackwood
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Bet you haven't got her 'gams' though? She was a heart throb of mine in my hormone rampant teenage years.Allen wrote:I've been practising that one on and off for months Nick. Afraid I don't do it justice though. Though with the cold I've been battling for the last week I'm sounding a bit like Bonnie Tyler.
I do hope your cold improves though.
"Jesus Loves You."
Nice to hear in church but not in a Mexican prison.
Nice to hear in church but not in a Mexican prison.
So, everyone has been making progress on their Ukes. Some very nearing completion, and Liam is already getting material together for some more. I think he's got the "bug".
Joe working on 2 instruments for his daughters.
Martin sanding the linings getting ready to attach the back.
Gloria doing the final shaping of the back braces.
Bill finding out how much sanding it takes to get a good finish.
Gloria getting that back attached.
All you Health and Safety guys look away. This is Far North Queensland were we use natural light and ventilation. Richard is also a spray painter by trade, so this is the one part of the project that he's really hit his stride.
Joe working on 2 instruments for his daughters.
Martin sanding the linings getting ready to attach the back.
Gloria doing the final shaping of the back braces.
Bill finding out how much sanding it takes to get a good finish.
Gloria getting that back attached.
All you Health and Safety guys look away. This is Far North Queensland were we use natural light and ventilation. Richard is also a spray painter by trade, so this is the one part of the project that he's really hit his stride.
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- Blackwood
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- Blackwood
- Posts: 311
- Joined: Sun Jan 13, 2008 10:22 am
- Location: Santa Cruz, Ca.
- Contact:
-
- Blackwood
- Posts: 311
- Joined: Sun Jan 13, 2008 10:22 am
- Location: Santa Cruz, Ca.
- Contact:
And one more thing... Make uke handles with some dowel and "all thread", and thread that into a threaded end pin hole to hold the ukes firmly and horizontally for spraying. I have a pipe fixture mounted to the floor of my spray booth to hold guitars and ukes while I spray. I just hate spraying hanging instruments with the air from the gun blowing the instruments around.
Rick Turner
Guitar Maker, Experimenter, Diviner
www.renaissanceguitars.com
www.d-tar.com
Guitar Maker, Experimenter, Diviner
www.renaissanceguitars.com
www.d-tar.com
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- Blackwood
- Posts: 311
- Joined: Sun Jan 13, 2008 10:22 am
- Location: Santa Cruz, Ca.
- Contact:
Precisely, Allen.
I use a 1/4-20 piece of "all thread". Not sure what your Metric equivalent is.
At some point I'll photograph my various holding fixtures for spray work. It really takes the pain out and enables me to do a better job because the instrument parts aren't swinging in the breeze. It's especially important when I'm doing sunbursts.
I use a 1/4-20 piece of "all thread". Not sure what your Metric equivalent is.
At some point I'll photograph my various holding fixtures for spray work. It really takes the pain out and enables me to do a better job because the instrument parts aren't swinging in the breeze. It's especially important when I'm doing sunbursts.
Rick Turner
Guitar Maker, Experimenter, Diviner
www.renaissanceguitars.com
www.d-tar.com
Guitar Maker, Experimenter, Diviner
www.renaissanceguitars.com
www.d-tar.com
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