Alcohol of great assistance when bending sides
Alcohol of great assistance when bending sides
Made a bit of progress on the current build in between domestic duties and a long Geologists Lunch. Pics are of the right hand rib being bent....went alot easier than the left rib which started splitting around the waist.
A little bit here.....(pre lunch)
And a little bit here (also pre lunch)
Voila!!! And all without ze fancy thermal blanket! (this pic taken post lunch.....ze two bottles of red obviously helped).
A little bit here.....(pre lunch)
And a little bit here (also pre lunch)
Voila!!! And all without ze fancy thermal blanket! (this pic taken post lunch.....ze two bottles of red obviously helped).
- Stephen Kinnaird
- Blackwood
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- Location: Texas, USA
- Ron Wisdom
- Blackwood
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- Joined: Sat Sep 29, 2007 1:18 am
- Location: Arkansas, USA
Looking good, Martin. I haven't tried drinking while bending (I did have a beer about 3 years ago), but I did bend three sets of sides this week. One dred (claro walnut) and two OM's with cutaways out of EIR. This was my first time to bend a cutaway, but it went well. Yesterday I bent the curly maple binding for the cutaways and that went well also. I'm starting to feel like I can bend anything.
Ron
Ron
I'm with Craig on both counts. I always recon its best to get all your crappy days done in one go. Looks like you are set for a purple patch Martin. Looking good.
And, I've really gotta finish my classical, though its not as classical as yours, I am using a bolt on neck.
Anyway, keep us posted.
Dom
And, I've really gotta finish my classical, though its not as classical as yours, I am using a bolt on neck.
Anyway, keep us posted.
Dom
You can bomb the world to pieces,
but you can't bomb the world to peace!
but you can't bomb the world to peace!
Allen,
I dont know why you steel stringers have this idea that building classicals is harder than building steel strings. I think the opposite is the case....eg no neck/body joint to deal with. This is my third classical and my first steel string was built using the Spanish Method ala Jim Williams book so I guess Ive had a bit of practise with this method of construction.
The guitar Im currently building is basically an unpaid commission....the emphasis is on getting the thing knocked up in a minimum amount of time so there's no experimenting going on. Its the first time Ive used Englemann as a top so the sound of the finished instrument will be interesting compared to the sitka topped previous builds.
I dont know why you steel stringers have this idea that building classicals is harder than building steel strings. I think the opposite is the case....eg no neck/body joint to deal with. This is my third classical and my first steel string was built using the Spanish Method ala Jim Williams book so I guess Ive had a bit of practise with this method of construction.
The guitar Im currently building is basically an unpaid commission....the emphasis is on getting the thing knocked up in a minimum amount of time so there's no experimenting going on. Its the first time Ive used Englemann as a top so the sound of the finished instrument will be interesting compared to the sitka topped previous builds.
- Dave White
- Blackwood
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Martin,
This "steel stringer" thinks they are harder to make as given the low string energy, getting good trebles from a classical is way harder than on a steel string. The sheer oomph of steel strings can hide a lot of "mediocrity" of sound - with a classical there is no hiding place (unless you opt to make them as loud as feck a la Smallman ) Hat's off to you nylon string boys and girls
This "steel stringer" thinks they are harder to make as given the low string energy, getting good trebles from a classical is way harder than on a steel string. The sheer oomph of steel strings can hide a lot of "mediocrity" of sound - with a classical there is no hiding place (unless you opt to make them as loud as feck a la Smallman ) Hat's off to you nylon string boys and girls
Dave White
[url=http://www.defaoiteguitars.com]De Faoite Stringed Instruments[/url]
[url=http://www.defaoiteguitars.com]De Faoite Stringed Instruments[/url]
Waiting on purfling from LMI at present so not much happening on the classical. Got the back glued up and back braces have been rough shaped and profiled.
The back is opp grade IRW from Allied and it has alot of silica deposits. Im going to pumice fill prior to french polishing and Im hyoping enough colour will bleed out of the rosewood to stain up the silica deposits.
The back is opp grade IRW from Allied and it has alot of silica deposits. Im going to pumice fill prior to french polishing and Im hyoping enough colour will bleed out of the rosewood to stain up the silica deposits.
- Kim Strode
- Blackwood
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- Joined: Fri Oct 19, 2007 8:11 am
- Location: Daylesford Victoria, Australia
Classic Guitar
That's a good looking job so far Martin.
I noticed on the your submitted last image, that you have fairly substantial side braces at the same position as the two top braces running each side of the soundhole. I've never seen side bracing like this and am wondering why you've done it this way?
I noticed on the your submitted last image, that you have fairly substantial side braces at the same position as the two top braces running each side of the soundhole. I've never seen side bracing like this and am wondering why you've done it this way?
Kim Strode
Daylesford, Australia
Daylesford, Australia
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