Following Paco's descriptions of the flamenco sound, I thought a flamenco should have a relatively high frequency top. I targeted 96 Hz air and a 200 Hz top. It was a mind teaser for me as stiffness was always a part of sustain in my mind. Besides doing all the many little things Paco taught to kill sustain, I made the choice when using Gores thickness equations to make the top a bit thinner than my classicals. I then made up that loss of stiffness by keeping the braces high enough. I did the braces from his description and then by feel. I think I can hear the close to 200 Hz top in how the trebles jump out when Paco is playing. Luckily the bass was still there enough.
youtu.be/BtGm28PE6M0
youtu.be/ad1fUzbN3V8
Flamenco Blanca
Top: sitka spruce
back and sides: spanish cypress
bindings: Rocklite Sundari
back backstrip is East Indian Rosewood.
Neck: spanish cedar and laid up it ebony
Bridge and and peghead veneer Brazilian Rosewood.
Tuners: Wittner Finetune Flamenco





