

The full topic can be viewed at this link:http://www.luthiersforum.com/forum/view ... te#p383108I really can't see how a specific frequency would be so critical to the success or failure of this concept. Remove all the hype from what you read at a commercial website and look at what is probably going on. The appliance, be it a TR or an aquarium pump, is placed in contact with the bridge/strings to become an actuator. It is my opinion that the affect of the resulting vibrations being transfer into the guitar top over an extended period of time cause friction at an atomic level which acts upon the lignin in the wood to relax it somewhat. This relaxation of the lignin, if true, may assist the top to then move more freely after treatment, especially at the perimeter where larger oscillations would most probably have occurred as a result of higher frequency oscillations radiating out from the bridge where bracings are most substantial. If this 'relaxed lignin' theory is indeed true, then there is further potential benefits for tone and response in the release of those tensions which may be captured within the many individual components of the top by allowing them to spread evenly throughout the whole. It is a combination of both these things that I believe is taking place when a guitar is 'played in' over a long period of time and the effects of the TR/Aquarium pump simply accelerates that normal development.
Back to the point at hand, within reason I do not see how one specific frequency could make that much difference to the outcome. I recall reading the TR website at some stage when this thing first came to light. The general gist was that years of research had revealed that 60Hz was the golden number if you bought a unit in the USA, coincidentally that is the very same number cycles of the USA power supply. In the FAQ's area on the same site it was suggested to an international enquirer that the golden number for Europe was 50Hz, which coincides perfectly with their supply cycles....So is there really any magic number? My guess is 'no', it is just a matter of vibrating the top for what ever period of 'time' it takes to achieve the required atomic disruption at whatever the frequency output is of your chosen actuator. This is of course within reason, too high may take too long, on the other hand I would not advice employing a jackhammer.
But Tonerite HAVE done intensive studies on their product....well they've got a "Research" section on their website...so surely they would have done some "research"???jeffhigh wrote:A very comprehensive well designed study
The sort a manufacturer should carry out before placing a product on the market......
One thing I discovered was that after treatment with my device the guitar really "opened out".....kiwigeo wrote:I've actually been working on my own device....unfortunately there's still a bit of fine tuning to be done
Nobody is a nay-sayer here, but maybe you should read the article.Gsanbrook wrote:You nay-sayers are implying that guitars do not "open up" with playing time?? Really?
And how can you tell that the changes (improvements) are due to playing and not simply by aging?Gsanbrook wrote: But, I cannot deny improvements from the Tonerite and changes I've hear from new guitars over the years as they get played (which is essentially the same thing).
The way they did the player evaluations is actually a strength of the study, Being double blind it removed the bias of expectations of improvement after tonerite treatment.Gsanbrook wrote: For the player evaluations, I don't believe anyone could pick up a guitar and do an a/b comparison that means anything. You would need to be much more aquainted with the guitars to tell anything.
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